Dior Finds Feminist Optimism in 1970s POP Retrospective
从对「波普年代」的回溯中，Dior找到了一种女性主义的乐观
2021-04-15
T Magazine
Walking into the venue of Christian Dior's Fall 2021ready-to-wear fashion show in Shanghai feels like stepping into the hippest nightclubs of 1970s New York City. Electronic dance music fills the space, with a massive disco ball hanging from above, casting reflections on walls adorned with shimmering sequins, while leopard print patterns sprawl across every corner of the floor. Lights arise from darkness, accompanied by a sharp rhythm, and the first silver jumpsuit look of the show was almost a direct reference to one of Pop Art's most iconic cultural symbols, Andy Warhol's The Factory. In this runway review, the author explores the Pop tone set by Maria Grazia Chiuri and how this cultural reference relates to the image of Dior women.
走进 Dior 2021 秋季成衣系列位于上海的秀场，就仿佛一步踏入了上世纪 70 年代纽约最时髦的夜店。电子舞曲环绕在整个场内，硕大的迪斯科球从空中垂坠下来，反射出的光点在铺满亮片的墙面上翻滚跳跃，地面的豹纹印花则蔓延到了每个角落。灯光从黑暗中升起，音乐节奏随即鲜明，开场的第一套银色连体衣造型几乎直指波普艺术最为标志性的文化符号 —— 安迪沃霍尔的银色工厂（The Factory）。在这篇秀评中，作者探究了 Maria Grazia Chiuri 为这场秀定下的波普基调，以及此文化参考与 Dior 女性形象之间的关联。